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Animal - Lion

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Watch your step Something tells me - you'd better to be My Valentine.

5 3/8" x 6 3/4"
circa 1920s
Mechanical Flat

by Charles Twelvetrees
made in Germany


To My Valentine

7 1/4" x 5 3/4" (with mouth opened)
circa 1920s
mechanical mouth
with rotating wheel
made in Germany

Part of a series - Click here to see more in the series

My smile is not LION For you I'm die'n my Valentine.

4 1/4" x 5 5/8"
circa 1930s, 1940s
Mechanical Flat
made in USA

I'm not A-LION when I say Be My Valentine Today!
3 1/4" x 5"
1940s
mechanical flat
made in USA


I'm WILD about you Valentine! Be Mine!

2 5/8" x 3 3/4"
circa 1950s
Flat
made in USA
by A-Meri-Card
marked: 9400


Newspapers

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My SOLE thought is NEWS of you. You are My Valentine.

4 3/4" x 4 5/8"
circa 1930s
Novelty Card with Removable Newspaper


The very best NEWS That I could hear If you would only call me dear! Valentine "Special."

5 1/2" x 7 3/8"
circa 1940s, 1950s
A-Meri-Card
marked: 0-209
Mechanical


Valentine News (assorted headlines) ~ I'm EXTRA fond of you my Valentine.

3 1/4" x 4 1/4" (4 1/4" x 6 1/2" opened)
circa 1920s
single-fold

I Like Turtles - Turtle Valentines

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To My Valentine.

6 1/4" x 6 3/8"
circa 1920s
Mechanical Flat

by Charles Twelvetrees
made in Germany

Slow and Steady Always Ready to be your Valentine.

3 1/4" x 5"
dated 1944
made in USA
mechanical flat

More Cars

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On Valentine's day Can't things be FIXED UP between us?

3 1/2" x 6"
circa 1950s
Mechanical Flat
marked: L-930/3
Litho in USA
flat

I'm racing to you - Ticket for Speeding - I won't mind paying a fine If I've won you Valentine.

5 3/4" x 5 3/4"
circa 1930s, 1940s
Standing Fold-Out
made in USA

I'd like to drive you into being my Valentine.

5 1/8" x 3 1/2"
circa 1920s/1930s

 1-4-U-2 LOVE
Here is Your LICENSE to Love Me.

License Plate
6 1/2" x 3 3/8"
circa 1940s
made by Carrington


Hop in! You AUTO be mine!
We could GO PLACES together!


Car and Scotty Dog
3 3/4" x 7" flat
circa 1940s
made in USA


I'll Never TIRE of your Love My Valentine!

3 7/8" x 3 3/4"
circa 1940s
by A-MERI-CARD


 To My Valentine - Going my way?

2 3/4" x 3 3/4"
City Bus

circa 1950s
Flat



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Series - We go Together! Valentine Card Sets

Artist - Ruth E. Newton

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I'm Wig-Wagging "I Love You" to my Valentine.

6" x 4 3/4"
circa 1930s
Mechanical Flat
marked: Made in U. S. Am.


Ruth Eleanor Newton was born in 1884 in Erie, Pennsylvania to Lynn and Agnes Elliot Newton. Her father Lynn was a factory clerk and the family included brother Gilbert and sister Agnes Belle Newton. She studied art in Philadelphia where she won an illustration contest in 1906 which lead to her first published images (The Old Schloss, written by Margaret L. Corlies). She worked in Boston, then eventually moved on to New York City where she kept a studio in the Greenwich Village area for the next 38 years.


Oh look who's in my heart! My Valentine

3 1/4" x 6"
circa 1930s/1940s
mechanical

made in USA
by Ruth E. Newton


In the 1940s Newton added designing dolls to her artistic endeavours. Her most well known doll was Amosandra created in 1949 for the Sun Rubber Company as a tie-in for The Amos and Andy Show. She designed many other dolls for Sun, giving fans the opportunity to amass quite large, impressive collections without a repeated doll. She also did drawings for famed doll creator Bernard Lipfert to then sculpt into dolls, according to Lipfert's granddaughter. 

To My Valentine.

2 5/8" x 3 1/2"
circa 1920s, 1930s
Mechanical Flat
marked: Made in U. S. Am.

While her book illustrations for companies like Whitman sometimes featured her signature by her images, her valentines are usually unmarked. The exception is her work for Campbell Art Co. Many (most? all?) of her works for this company are marked as being her's (along with Elizabeth Manley), but it would be an assumption to think they all are necessarily so marked. I can find no other references to an artist named Elizabeth Manley other than mentions of her in conjunction with Newton (including no biographical information at all). Some Rust Craft cards were also sometimes marked as "designed by Newton-Manley." Rust Craft purchased Campbell Art Co in 1924. I'm unsure if they kept up the Campbell brand for any length of time after the acquisition or if this means that all cards marked with the Campbell Art Co name date to 1924 and prior.


My Heart is Beating for You My Valentine

3 1/4" x 6"
circa 1920s, 1930s
Mechanical Flat
marked: Made in U.S.Am.
By Ruth E Newton


Newton also collaborated with Mabel Horn (aka Mabel Horn Newston) and Betty Carter. Like Manley, it appears to be very difficult to find any information on these two artists.


 For My Sweetheart

3 3/4" x 7 3/4"
circa 1920s
mechanical
made in USA
by Ruth E. Newton and Elizabeth Manley
for Campbell Art Co

The rosy-cheeked children Newton renders can tend to look a little like those of Charles Twelvetrees or perhaps Mabel Lucie Attwell. However, the characteristic curling, tousled hair and preponderance of gingers gives them her own distinctive flair. Characters that appear in her book illustrations can reappear looking much the same on valentine cards. Studying the books she illustrated can help one to learn to identify her unsigned work. There are quite a few examples to peruse as Newton was very prolific.

Among her books for Whitman was a 1935 book titled Valentines to Cut Out and Make Up. This one is of course of special interest to valentine collectors. It is also a difficult task to chase down an intact copy of it.


Here's the best news right on time I want you for my Valentine

5 1/4" x 3"
circa 1930s/1940s
mechanical
by Ruth E. Newton



She retired and returned to Erie in 1968 but sadly didn't get to enjoy that retirement for long. In 1969 she suffered a bad fall that left her requiring assistance so she lived out the rest of her life in a nursing home. She passed away in 1972.

*******************************************
Companies Ruth Newton is know to have worked for: 

  • Campbell Art Co
  • Whitman Publishing
  • Rust Craft 
  • Ivory Soap
  • Sun Rubber Co
*******************************************

Sources:

The Romance of Greeting Cards (1956 revised edition) by Ernest Dudley Chase
Excerpts of emails and conversations with Linda Lipfert White by Catskill Dolls
Erie Art Museum, Nicholas Gallery, Ruth Newton 

Artist - Bonte: Marie Louise Quarles and George Willard Bonte

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I'm Yo' Valentine


6 3/4" x 4 1/2"
circa 1890s - 1910s
Standing Flat with 3-D Feature
moving eyes are suspended on string
Signed Bonte
printed by Ernest Nister
E P Dutton and Co.
Printed in Bavaria
marked: No. 1889


Marie Louise Quarles Bonte and George Willard Bonte are probably best known for their book ABC in Dixie - A Plantation Alphabet, published in 1904 also by Ernest Nister. There is a postcard series to collect based on the book. George also did a 1905 calendar (also published by Nister and may be credited as simply by "Willard Bonte") called The Coon Calendar for 1905. In an ad for Dutton's calendars in The Churchman, Volume 90 of Dec 3rd, 1904 The Coon Calendar is described as:  

"Thirteen pages of humorous negro types by Willard Bonte. One of the best and most humorous ideas of the year.

It is unusual for one of Nister's cards to retain the artists mark as this card does. Nister was a lithographer based in Nuremburg, Germany with offices also in London, England. E. P. Dutton was the exclusive agent for Nister in the USA.

Valentine Faeries

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To My Valentine.

4 7/8" x 4"
circa 1930s
Mechanical Flat
One wing and Heart move


Dear Valentine Let's Fly Away and Play All Day We'll have Lots of Fun --- What D'ya say?

7" x 2 3/4"
circa 1950s, 1960s
Folding Stand-Up
marked: Made in U. S. A. 4/5
by Doubl-Glo

Maker - Gibson Art Company, Gibson Greeting Cards

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To My Valentine ~ These flowers will brightly Bloom for Thee And birdie's sing In every tree If you will be My Pansy Sweet Valentine.

2 7/8" x 5 3/4" (5 3/4" x 5 5/8" opened)
circa 1890s, 1900s
Single Fold
marked: The Gibson Art Company
Made in Germany


Gibson begun as 'Gibson and Co' in 1850 in Cincinnati, Ohio. The company was started by a group of 4 brothers: Stephen, Robert, George and Samuel Gibson. They began as printers of stocks, stationary, bonds, etc on a French-made lithographic press. In the 1860s and 1870s they expanded to include the marketing of items made by others, such as the Currier and Ives chromolithographic prints that were very popular at the time. It was via this relationship with other printers that Gibson gets some credit for the first line of American mass produced Christmas cards. The cards were in fact the work of Boston-based printer Louis Prang. It may have been their great success at selling Prang's cards combined with Prang's retirement in the 1890s that inspired them to begin printing their own.


To My Valentine ~ I ain't good looking but, I iss cute, vot?

4" x 2 1/2"
circa 1890s, 1900s
Flat
by Bernhardt Wall 

for Gibson and Co/Gibson Art Co

Most sources put it around around 1908 or 1909 that Gibson begun working with artists and writers to create their own greeting cards (although our Bernhardt Wall card seen above carries an older version of their logo suggesting the association may possibly have begun earlier). Interestingly, I have found several sources around the internet that give this same time period as the start of the Gibson company, which is incorrect, even for when the company officially became Gibson Art Co

By this time Robert, who had become the sole owner after buying out his brothers in 1883, had passed on. His will directed that the company be incorporated as 'Gibson Art Company' and split into equal shares for his children. However, while he died in 1885, the incorporation with the name change did not happen until 1895. The company could possibly have been using 'Gibson Art Co' on their cards during that decade between Robert's death and incorporation, or could have been using the original 'Gibson and Co.' Or perhaps the G. A. Co logo (see above) was used during this time? This is unclear. I have not come across enough Gibson cards of this period to help elucidate this question. I would love to hear from any Gibson collectors who have any input on this somewhat confusing era of the company history and how cards were marked during that time.



A Valentine for You ~St. Valentine's greetings with Best Wishes.

2 5/8" x 3 1/2" (3 1/2" x 5 1/4" opened)
circa 1910s, 1920s
Single Fold

for Gibson Art Co
with Gibson Lines logo

Seen above is a card taking advantage of the popularity of Rose O'Neill's Kewpie characters. Gibson also sold many cards with official O'Neill Kewpies as well as several with look a-likes such as this.

Over the years, Gibson worked with a great number of artists, some more well known than others. They expanded into gift wrap and other gift shop items and pursued licensing deals with a variety of other companies including Walt Disney Studios. Early on, they took Rose O'Neill's Kewpie characters to a wide audience, having great sales success with them. And also great sales success with cards mimicking her characters.  Some of the cards with similar characters are marked as "after Rose O'Neill" others like the one above do not acknowledge O'Neill's influence. O'Neill's own work for Gibson appears to usually (always?) be signed. 

Gibson popularized the French fold cards invented by Rust Craft. The company excelled at recognizing trends and streamlining sales processes, growing to become the third largest American greeting card company behind only Hallmark and American Greetings. They hold patents on certain merchandising displays and created an automatic ordering system for merchants to identify and keep the most popular cards in stock more easily. This merchandising prowess kept Gibson humming year after year.


I thought that in theft, dear You'd never take part But I have to arrest you For stealing my heart.

3 1/2" x 4 3/4"
circa 1910s, 1920s
Flat
Marked: Gibsons

No. 3037

In 1960, the company altered its name once again, now becoming 'Gibson Greeting Cards, Inc.' They then moved on to 'Gibson Greetings, Inc' in 1983 and kept that name until their purchase in 2000 by American Greetings. During the time in which they operated as Gibson Art Co (1895 - 1960), we can find other logos such as the Gibsons with number seen above. These probably provide clues to the dates of the cards, but as of yet I cannot say I have figured out the "code". Old Gibson cards with dates written on them by the customers who purchased them and the logos that appear on these dated  cards can help make this clearer. As mentioned above, If you have such a card or cards we would love to hear from you. Please leave a comment (comments are moderated - oh the spam we have seen - we've even saved our favorite spam, though not posted it, as sometimes they can be comedy gold! - but we get to comments pretty quickly so don't be discouraged by not seeing your comment post right away).

We have many more Gibson cards in our other categories. Enter 'Gibson' in the search box in the upper left to see them all.


A Valentine to You From Me ~ Who likes you Lots? Well, you will know If you just read the name below.

2 3/4" x 5 5/8" (5 5/8" x 5 3/8" opened)
circa 1950s, 1960s
French Fold
by Gibson
made in USA 

************************************************
Artists Known to have Worked for Gibson:

  • Bernhardt Wall
  • Rose O'Neill
  • Mildred Snarr Cavagnaro
  • Ruth Laird Pistor
  • M. Dulk
  • J G Scott
  • Helen Steiner Rice (poet, not a visual artist)
***************************************************
Sources:

The Romance of Greeting Cards(1956 revised edition) by Ernest Dudley Chase 
Postmarked Yesteryear: Art of the Holiday Postcard by Pamela Apkarian-Russell
A Token of My Affection: Greeting Cards and American Business Culture by Barry Shank
Funding Universe.com/Gibson Greetings, Inc history

Mud

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I'm MUD about you Valentine

unusual card featuring a mud puddle
circa 1950s/1960s
Flat

Sweet Salvation Sister - Rare Salvation Army Themed Valentine Card

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Follow Me My Valentine- Won't you come and join me? It's easily understood, I'm a sweet Salvation Sister, and I want to do you good! - Song ~ Beauty draws us with a single hair! - Pope

2 7/8" x 5" (5" x 5 3/4" opened)
circa 1880s, 1890s
Fold-Out

This card has an unusual theme referring to the Salvation Army and the women in black often carrying tambourines who held marches to advocate for purity, temperance and to evangelize. The Salvation Army began in 1865, making this rather early in its history.

Culture - Turkey, Middle East

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To My Valentine ~ If I've even a chance with you, Just try what a tender glance will do.

3 7/8" x 4 1/4" (3 7/8" x 7 5/8" opened)
circa 1920s, 1930s
Single Fold
made in USA
Part of a series featuring figures in various international traditional costumes

Card features figures in Middle Eastern garb, including a fez. The hat is generally associated with the Ottoman Empire and Turkey although it was worn in several countries such as Morocco, too. The hat has enjoyed some mystique in the USA. Several American fraternal organizations such as the Shriners,  Masons and many others adapted the hat for their own use. Figures from Middle Eastern cultures are very rarely pictured on valentines

Culture - Polish, Poland

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Can I be your Valentine? ~ I hope you will accept, This big red heart o'mine; And I'd be mighty proud, If you'd be my Valentine.

3 7/8" x 4 1/4" (3 7/8" x 7 5/8" opened)
circa 1920s, 1930s
Single Fold
made in USA 
Part of a series with an international theme

From the clothing this appears to be a pair from Poland, making this a more unusual culturally themed card. References to Irish or Dutch culture are much more common as are the often insulting and/or culturally insensitive cards portraying Native Americans and African Americans. 

Butterflies

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Best Valentine Wishes ~ Can't I coax you to be mine Little lady valentine? Poppies are red, violets are blue, And I'd be true as long as you.

2 5/8" x 3 3/4" (3 3/4" x 5 1/4")
circa 1920s
Single Fold
by Whitney Made


 Just a BUTTERFLY? Fly my way, Valentine!

4 1/2" x 2"
circa 1950s, 1960s
Flat
made in USA

Maker - Hallmark, Hall Brothers

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Valentine Greetings to You ~ You're sure as nice can be, And mighty nice to know, And you're Somebody's Valentine! This little birdie told me so!

4" x 5 3/4" (5 3/4" x 7 7/8 opened)
dated 1940
Flat
Made in USA
by Hallmark
Hall Brothers Inc

Hallmark officially began as an endeavor by Joyce Clyde Hall in 1910 upon his arrival in Kansas City, Missouri. The company's roots lie, however, in Norfolk, Nebraska. It was there that Joyce's brothers, Rollie and William, purchased the Norfolk Post Card Company, a bookstore, in 1891. By 1894, they had moved into the wholesaling of postcards.

When Joyce arrived in Kansas City he came with a box full of postcards and his own plan to delve into the wholesaling of those cards. Was it a fit of sibling rivalry that sent Joyce almost 300 miles away to form his own start-up in competition with his brothers? Or maybe Joyce saw great possible benefit in the move to Missouri where his brothers did not? Whatever the motivations, the move and resulting new business proved to be a tremendous success that the brothers would all come to share in and contribute to. 

From a room at the YMCA, Joyce mailed out batches of 100 cards to various stationers and booksellers. For his efforts, some kept the cards, making no payment; others mailed them back with strongly worded missives. Just enough, however, opted to keep the cards and mail a check. From there, Joyce built up sales until the volume of mail to that YMCA room prompted him to rent out office space. The company was up and running strong very quickly.

After his brother Rollie joined him in Kansas City in 1911, they began operating as Hall Brothers. William would join Joyce and Rollie in the 1920s. Initially, they sold items printed by other printers. After losing their entire inventory in a January 1915 fire, they decided to start anew, but this time printing their own cards. By Christmas they were up and going again. These new cards would now all be marked on the back with the Hall Brothers' name. This was a time when postcards were beginning to decline in popularity and the Hall brothers thought they would find a market for cards that were mailed in an envelope - offering a bit more privacy than a postcard. This proved to be very true and quite a success for the brothers who were now printing and selling cards for Valentine's Day and Christmas. Another of their innovations was commercially made gift wrap debuting in 1917. Like Gibson, the Hall Brothers also excelled at sales innovations and merchandising.



A Valentine for You Here's a little Valentine That I just went an' got -- Specially on accounts 'cause ~ I like you such a lot!

4 1/8" x 5 3/8" (5 3/8" x 8 3/8" opened)
dated 1946
French Fold
made by Hall Bros
marked: Hallmark Rufftex
15 V106-6


By 1922 the company had grown to more than 100 people and they were producing cards for a dizzying array of holidays, events, and occasions. In 1928 they began using Hallmark in addition to the company name, Hall Brothers. Joyce (known as J.C.) was said to have liked its reference to the guarantee of quality it indicates on precious metals.

Stop! And be my Valentine!

2 1/4" x 3 1/4"
circa 1960s
Flat
by Hallmark
made in USA

1932 brought a deal with Walt Disney that continues today. While I have seen several Disney licensed cards from the 1930s, I have not seen any from that time that also include a Hall Brothers or Hallmark logo. If anyone, dear readers, has any such cards we'd be very curious to see scans of them (please leave a comment if you are so lucky and willing to share). 

Similar deals with other artists were made. Norman Rockwell and Grandma Moses are among those whose work adorns Hallmark greeting cards. 

In 1939, Hallmark created what would come to be one of the all-time most popular greeting cards - their 'pansy' Mother's Day card. The front reads: To let you know I'm thinking of you. The message that follows inside: Pansies always stand for thoughts - at least that's what folks say. So this just comes to show my thoughts are there with you today. The front of the card features an image by Dorothy Maienschein which was also used in a 'love' stamp issued by the USPS in 2010. The card is die-cut and features purple pansies in a wheelbarrow-shaped planter. Hallmark quickly recognized its potential and reissued the card as a 'friendship' card in 1941. The card remains available today and has sold 30 million copies.

Andrew Szoeke designed the now familiar Hallmark 'crown' logo (featuring a crown above the Hallmark name) in 1949. Still, the official change in name from Hall Brothers to Hallmark was not until 1954. This means there are many cards marked with both names and some from that narrow 5-year window with both Hall Brothers and the 'crown' logo version of Hallmark

Like the crown logo, Hallmark's tag line - when you care to send the very best -  has a long history with the company. It first appeared in 1944, written by Ed Goodman, and endures to this day. It is a clever line in its simplicity, that keeps it from sounding outdated despite its advanced age.

Hi! Happy Valentine's Day.

2 3/4" x 3 3/4"
circa 1960s
Flat
Ambassador Cards
by Hallmark

Ambassador Cards was launched by Hallmark in 1959. It was a widely advertised line with great volumes of each item produced. The Shoebox line and its popular character Maxine were added in 1986. Hallmark continues on today, having branched out well beyond their initial Kansas City greeting card business to have interests in many areas. They employ thousands of people with about 4,500 of those still located in Kansas City, Mo.

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Sources: 

The Romance of Greeting Cards, Ernest Dudley Chase (revised edition of 1956)  
Valentine Treasury - A Century of Valentine Cards, by Robert Brenner
The Encyclopedia of Greeting Card Tools and Techniques, Susan Pickering Rothamel

Art Deco (Page 2)

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A Valentine Message to my Sweetheart. I love you heaps and heaps and heaps, I'm going to love you, too, - for keeps; I want you near me all life through ~ With all my heart and soul ~ ~ I do!

5 3/8" x 4 3/8"
circa 1920s, 1930s
Flat
with coordinating envelope

I extend to you a hearty Invitation to my party; 'Twill be a love feast for us three ~ For you, For cupid and for me.

3 1/2" x 5 3/4"
6 3/4" x 5 3/4" (opened)
made in the USA
circa 1930s



Flowers, like in the bouquet above, were often drawn in swirled circles. Also widely seen was gold detailing, and figures, often very thin, with curling hair and billowing skirts. 

Don't Turn me Down my Valentine.

3 3/4" x 3 1/4"
circa 1920s, 1930s
Flat

A Valentine To Mama, Because ~ She's still my best Girl.

3 1/2" x 4 1/2" (3 1/2" x 9" opened)
circa 1920s, 1930s
Single Fold

♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
More Art Deco Cards:



♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
Click here to browse Art Deco cards for sale in our store.

Maker - Pleasant Thoughts

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A Valentine for Someone I haven't Forgotten ~ A Valentine with hearts and flowers To wish you only happy hours...A Valentine to tell you, too, That someone thinks a lot of you.

9 1/2" x 7 1/2" (9 1/2" x 22 3/4" flat)
circa 1950s
Standing Fold-Out
by Pleasant Thoughts
marked: Made in USA over an FH
100VP13

with pink paper puff hearts

Pleasant Thoughts was founded sometime in the 1950s by Kenneth Walker in Waukegan, Ill. The company was very successful and sold to Gibson in 1962. Gibson kept the name up as a line and last renewed the trademark on the name on August 8th, 2002. 

After the sale of Pleasant Thoughts, Walker went on to found another very successful company,  Advantage Rent-A-Car.



*************************************************

 Sources:

Obituary for Kenneth Walker, January 18th, 2005, Auto Rental News

 

Maker - Doubl-Glo

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My Sweet Valentine Do I love YOU? ~ You can bet your BOOTS I do!

3 1/2" x 4 1/4" (4 1/4" x 6 3/8" opened)
circa 1930s, 1940s
assymetrical french fold
by Doubl-Glo
features a white cat


Doubl-Glo is a trademark used by the Paper Novelty Company of Stamford, Connecticut. The company started out making a folded paper Christmas bell, but in 1932 began making their most famous product - their tinsel in the familiar package with Santa on it.



To My Valentine  Blowing bubbles would be more fun ~ If I found you inside of one
5 1/2" x 4" (5 1/2" x 8" opened)
1940s, 1950s
French Fold
by Doubl-Glo
made in USA
marked: 700


It is not clear when they began making greeting cards. Their focus was much more on Christmas items than on valentines. 


To My Valentine Hung out my Shingle, As you can see, Tho' I'm not a Dentist Nor M.D. ~ I'll treat YOU as my clientele And practice LOVE for quite a spell Practice with You will be perfect.

3 7/8" x 4 3/4" (4 3/4" x 7 1/2 opened)
circa 1940s, 1950s
Modified French Fold
made in USA
by Doubl-Glo
marked: P 8700-4


**********************************************************

Sources:

The Daily Messenger, June 7th, 1967, Canandaigua, NY, p18 

Artist - Bernhardt Wall

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If you von't, Vy von't you, vot?

3 1/2" x 5 1/2"
circa 1910s
Postcard
by Bernhardt Wall for S Bergman Co
marked: S 68
divided back

Bernhardt Wall (1872 - 1956) earned the nickname, the Postcard King, through the vast amount of design work he did on postcards. His work appears on many different publisher's cards. He is credited as having created over 5000 postcards including many series like the very recognizable Sunbonnet Girls (aka Sunbonnet Sue) and Overalls Boys. These figures wore large white bonnets with red dresses or straw-looking hats with overalls. The hats obscured the faces of these characters. Some of the Ullman cards featuring sunbonnet figures give credit for the illustration to "Uncle Milton", a pen name sometimes used by Wall.  Now whether or not he originated these characters is questionable despite the artist's own claims. Some sources do credit Wall for this, but Bertha L. Corbett who designed the sunbonnet girl for Dutch Cleanser and illustrated a book on sunbonnet babies among other sunbonnet items may more properly deserve credit. None the less, Wall's interpretations remain very popular and there are several groups like a day of the week series and a series of each month of the year (both published by Ullman) to collect. Wall also created characters in wide-brimmed red hats that are similar but whose faces can be seen.


To My Valentine ~ I ain't good looking but, I iss cute, vot?

4" x 2 1/2"
circa 1880s, 1890s
Postcard
by Bernhardt Wall 

for Gibson and Co


As was popular at the time, Wall did many cultural characters like the Dutch themed cards shown here and cards depicting black Americans. His take on African Americans reflects the prejudices common and generally acceptable in the society of his time such as the 1906 series for Ullman titled Cute Coon Series No. 70 and another group also for Ullman titled Little Coon Series No. 59. These were filled with unflattering, stereotypical imagery as one might guess from the chosen titles. Wall was kinder in his depictions of women suffragettes - a topic often derided by some other cartoon card creators. The number of women in the field (well before it was normalized for women to work outside the home, illustration work in books and on cards was often done by women some who became quite famous) ensured that not all treatments of the topic were against votes for women.  He is also well known for his propaganda cards mocking the Germans during WWI. His experiences in Cuba with the military during the Spanish American War probably influenced his desire to participate in WWI in such a way. 

While our interest lies mainly in the valentine cards designed by Wall, his more highly valued work is to be found in the etchings he created, especially those he created to go along with his work as a historian. It is thought that his postcards earned the money to enable Wall to do his preferred work as a lithographic artist which was not as lucrative at the time. According to a story in the July 15th, 1916 edition of Bruno's Weekly, Wall was fond of traveling in his car with plates at the ready to etch things as they struck his fancy. He preferred this to asking people to sit in a studio for him. It is claimed he did such an etching of Mark Twain as Twain spoke at a branch of New York City's YMCA.

As well as his work published by a variety of companies, Wall published quite a bit of his own work too. Many of his books and other items such as bookplates were created by the artist himself. These items tend to be rather difficult to come by as quantities were more limited than his postcard designs. Other difficult to find items include water colors, such as his 1898 paintings of scenes of Cuba found in the collection of the Natural History Museum of Los Angeles County.

Political figures were also a favorite subject appearing in etchings and as subjects for both postcards and books. He did a series of 'Following' books: Following General Sam Houston 1793-1863 (1935), Following Andrew Jackson (1937), etc. Of special interest among his publications is the series of miniatures from 1948, The Etcht Miniature Magazine. Each volume in the 12-month series was limited to 60 copies with text and illustrations all etched and printed in colored inks.

Wall died on February 9, 1956 in California, which had been his home since the death of his first wife. He was by that time considered a respected historian of the American West. His books, which he printed and bound himself, are to be found in the collections of several well-regarded universities as well as those of many prominent collectors. 



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Companies Wall is known to have worked for:

  • Barton and Spooner
  • Bergman
  • Gibson Art Co
  • Illustrated Postal Card Co
  • International Art Co
  • J. I. Austen
  • Ullman Mfg Co
  • Valentine and Sons

Sources: 

  • Bruno's Weekly, July 15, 1916
  • The Bookseller, Newsdealer and Stationer, Vol 43, July 15, 1915, p 98
  • Antique Trader Black American Price Guide by Kyle Husfloen

Series 426 Valentine Cut-Outs

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Let's be each's Valentine.

4 1/4" diameter
circa 1920s
Rocking Stand-Up
marked: Series No. 426 Valentine Cut-Outs
12 designs
made in USA
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